‘All of Us Strangers’ Cinematographer Unpacks the Film’s Sensual Intimacies and Mysteries

TheWrap magazine: “The intent was to create this ambiguous feeling of current, future and past all blended into one,” said lenser Jamie D. Ramsay

Paul Mescal and Andrew Scott in "All of Us Strangers" (Searchlight Pictures)
Paul Mescal and Andrew Scott in "All of Us Strangers" (Searchlight Pictures)

After Jamie D. Ramsay’s Camerimage Award-winning breakthrough work on last year’s “Living” (which earned star Bill Nighy an Oscar nomination), the South African director of photography changed gears to work with bold British writer-director Andrew Haigh (“45 Years,” “Weekend”) on “All of Us Strangers,” opening Dec. 22.

The Searchlight film is a metaphysical tale of longing and nostalgia adapted loosely from Taichi Yamada’s novel “Strangers,” centering on a single gay man (Andrew Scott) in a London high-rise who is grappling with memories of his deceased parents (Claire Foy and Jamie Bell), while fending off the advances of a handsome, mysterious neighbor (Paul Mescal).

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