‘Carmen’ Review: Paul Mescal and Melissa Barrera Exhilaratingly Reimagine a Classic

Benjamin Millepied and Nicholas Britell craft a contemporary tale of freedom and identity

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"Carmen" / Sony

As written by the legendary French composer Georges Bizet, the 19th-century opera “Carmen” has a classic femme fatale at its heart: a fiery, free-spirited and seductive woman headed for her inevitable demise through the downfall of a former lover. So take it with a grain of salt upon hearing the title “Carmen,” in this case a beautiful, dreamlike and defiantly experimental film directed by Benjamin Millepied.

Yes, the tragedy, beauty, love, and passion that define Bizet’s exquisite late Romantic-era masterpiece are all in here in Millepied’s directorial debut. But Millepied’s runaway Carmen, as imagined by writers Loïc Barrere, Alexander Dinelaris and Lisa Loomer, is not so much a doomed temptress archetype as a freedom-hungry firebrand in search of her voice and identity.

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