‘Cobweb’ Review: Song Kang-ho Is a Director at Play in Stylish Potboiler

Cannes 2023: South Korean actor marks his fourth consecutive trip to the festival with an exercise in flair but not much more

Cobweb Cannes 2023
"Cobweb" (Courtesy of Barunson and Cannes Film Festival)

From the Palme d’Or for “Parasite” to a stint on the following jury to a Best Actor prize all of his own with last year’s “Broker,” Song Kang-ho has become a recent fixture at Cannes. This year he made a late-break for Croisette with “Cobweb,” a slight-but-entertaining film about the movies from director Kim Jee-woon. Premiering late and out of competition, “Cobweb” doesn’t equal the films that made Song the new king of Cannes, but it certainly has style to burn and plenty to admire.

Of course, the South Korean star and his “Cobweb” director go way back, as Kim first launched Song’s career with 1998’s “The Quiet Family” and then nourished it with blockbusters like “The Good, the Bad, the Weird” and “Age of Shadows.”

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